Ramayan earns Rs 1,110 crore in nine days, ranks fifth among Hindi films

Ramayan has earned Rs 1,110 crore in nine days and is now the fifth highest-grossing Hindi film, according to a report by Divya Bhaskar Entertainment. The Gujarati headline says the film has broken Pathaan’s record and is now close to Dhurandhar and Jawan.

The claim is framed as a box-office milestone rather than a full territory-by-territory breakdown. Divya Bhaskar presents the Rs 1,110 crore figure as the film’s earnings over that nine-day span and uses it to place Ramayan in the upper tier of Hindi cinema collections.

On the ranking, the report is specific: Ramayan has become the fifth highest-earning Hindi film. That position depends on the comparison set the outlet is using. The headline does not publish the collections of the films above or immediately below it, so the gap to the next titles is described only in relative terms.

Pathaan is the record the report says has been surpassed. The article headline states that Pathaan’s mark has been broken, without restating Pathaan’s own total in the text provided here. Readers should treat the overtake as Divya Bhaskar’s ranking claim, not as a newly calculated comparison from outside that report.

The same headline says Ramayan is now near Dhurandhar and Jawan. “Near” is not quantified. No rupee gap, daily rate, or remaining distance appears in the source line, so how close the film sits to either title cannot be stated more precisely than the report’s wording.

The figure is given as Rs 1,110 crore. The headline does not say whether that tally is India nett, India gross, overseas, or worldwide. In Hindi film reporting those categories differ, and early round numbers are often revised as more centres report. Until the outlet labels the basis, the number should be read as the collection Divya Bhaskar is citing, not as a confirmed split across markets.

Nine days is a short window, typically covering the opening week plus the second weekend, depending on the release calendar. A total at that point speaks to front-loaded interest. It does not, by itself, show how steeply business may fall on weekdays or how long the film will hold screens.

The story matters because Hindi box-office lists are watched closely by exhibitors, distributors, and competing releases. A move to fifth, if the trade accepts the same definition of “earnings,” changes how Ramayan is discussed against recent big-ticket titles. It does not, on this report alone, establish lifetime rank, profit, or budget recovery. Those depend on costs, revenue shares, and later weeks that the headline does not address.

The page URL also refers to Ranbir Kapoor in connection with the Ramayan box-office record. The headline itself does not quote him or any other cast or crew member, and no comment from the producers is included in the source material used here.

Rankings this early can shift. Holiday calendars, screen counts, and how trackers treat nett versus gross all affect lists. Divya Bhaskar’s account is one published snapshot. Other trade reports may use a different base or a different running total for the same nine days.

What happens next is further collection updates as the film moves beyond its first nine days. If business holds, the gap the headline describes with Dhurandhar and Jawan could narrow or widen; if it drops, the fifth-place claim could be tested by later releases or by revised figures. Divya Bhaskar has not, in the material at hand, forecast a final total.

For now, the reported facts are limited and concrete: Rs 1,110 crore in nine days, fifth among Hindi films, Pathaan’s record described as broken, and Ramayan placed close to Dhurandhar and Jawan. Any finer claim about markets, margins, or records beyond that would go past what the report states.